First Look: Viola Davis and Chadwick Boseman in ‘Ma Rainey’s Black Bottom’
By BY KYLE BUCHANAN from NYT Movies https://ift.tt/3cKS6W9
Posts
‘American Murder: The Family Next Door’ Review: Tragedy Reconstructed
By BY BILAL QURESHI from NYT Movies https://ift.tt/3kZz8Ot
‘The Boys in the Band’ Review: How Far Have We Come, Really?
By BY GLENN KENNY from NYT Movies https://ift.tt/34diNPs
When Life Looks Like a Wes Anderson Movie
By BY ALEXANDRA LANGE from NYT Movies https://ift.tt/36fxHHD
The Technical Stars Who Help Pull Off a Christopher Nolan Narrative
By BY NICOLAS RAPOLD from NYT Movies https://ift.tt/2EIe6Vi
Michael Lonsdale, a Bond Villain and Much More, Dies at 89
By BY PENELOPE GREEN from NYT Movies https://ift.tt/2FUkQjz
‘Father of the Bride,’ the Pandemic and Me
By BY NANCY MEYERS from NYT Movies https://ift.tt/2Ex9EZg
From All-Star Flop to Astute Satire in Just 50 Years
By BY ADAM LANGER from NYT Movies https://ift.tt/2G1WzI5
‘The Trial of the Chicago 7’ Review: They Fought the Law
By BY A.O. SCOTT from NYT Movies https://ift.tt/2RV3qFw
F.A.A. Says Harrison Ford Can Continue Flying
By BY TOM MASHBERG from NYT Movies https://ift.tt/2G0Scgz
BAFTA Takes Steps on Diversity, After All-White, All-Male Shortlists
By BY ALEX MARSHALL from NYT Movies https://ift.tt/2RXPzP4
Don’t Get What Makes Brian De Palma an Auteur? Try These Two Films
By BY BEN KENIGSBERG from NYT Movies https://ift.tt/2RY4QiN
‘Misbehaviour’ Review: Pretty Women, Some Pretty Angry
By BY MANOHLA DARGIS from NYT Movies https://ift.tt/304pjqp
‘Public Trust’ Review: Saving National Lands
By BY BEN KENIGSBERG from NYT Movies https://ift.tt/2HspyW2
‘Myth of a Colorblind France’ Review: Artistry Abroad
By BY BEN KENIGSBERG from NYT Movies https://ift.tt/364PfX2
‘Ottolenghi and the Cakes of Versailles’ Review: Pastries of the Gilded Age, Made Modern
By BY GLENN KENNY from NYT Movies https://ift.tt/3hYEW9g
‘The Last Shift’ Review: Passing the Fast-Food Torch
By BY GLENN KENNY from NYT Movies https://ift.tt/3kJXzQ2
‘The Artist’s Wife’ Review: Strife on Canvas
By BY JEANNETTE CATSOULIS from NYT Movies https://ift.tt/3csEDCh
‘Secret Society of Second-Born Royals’ Review: A Princess With Powers
By BY JEANNETTE CATSOULIS from NYT Movies https://ift.tt/3i37cr8
‘Kajillionaire’ Review: California Scheming
By BY JEANNETTE CATSOULIS from NYT Movies https://ift.tt/30294dq
10 Unusual Streaming Movies for Unusual Times
By BY JASON BAILEY from NYT Movies https://ift.tt/32Vc8Kn
‘Oliver Sacks: His Own Life’ Review: All Was Not Well With the Doctor
By BY GLENN KENNY from NYT Movies https://ift.tt/2RSVbd6
‘Console Wars’ Review: In Nintendo vs. Sega, Mortals Combat
By BY SCOTT TOBIAS from NYT Movies https://ift.tt/3cr10b6
‘Enola Holmes’ Review: She’s Beyond Elementary, and Not Your Dear
By BY LOVIA GYARKYE from NYT Movies https://ift.tt/3kyWjik
We Watched Fall Film Festivals From Home. Here’s How It Went.
By BY MANOHLA DARGIS AND A.O. SCOTT from NYT Movies https://ift.tt/2ZVkoIf
‘Stuntwomen: The Untold Hollywood Story’ Review: A Woman’s Right to Fight
By BY TEO BUGBEE from NYT Movies https://ift.tt/33IuNbm
‘Kiss the Ground’ Review: Regenerating Hope for the Climate
By BY NATALIA WINKELMAN from NYT Movies https://ift.tt/3hS5VTP
Ruth Bader Ginsburg: The Films About Her Life
By BY MAIRA GARCIA from NYT Movies https://ift.tt/2FWkJTS
‘Rifkin’s Festival’ Review: Woody Allen Travels to Movie Memory Lane
By BY JESSICA KIANG from NYT Movies https://ift.tt/32IayeC
How Tom Holland Seeks Revenge in ‘The Devil All the Time’
By BY MEKADO MURPHY from NYT Movies https://ift.tt/3iLbVyR
‘The Devil All the Time’ | Anatomy of a Scene
By BY MEKADO MURPHY from NYT Movies https://ift.tt/33Enz8y
The Spy Movie That Upset the American Dream
By BY J. HOBERMAN from NYT Movies https://ift.tt/3kvfc64
10 Great Movies at the New York Film Festival You Can (Mostly) See Online
By BY A.O. SCOTT AND MANOHLA DARGIS from NYT Movies https://ift.tt/3iL9NqU
‘H Is for Happiness’ Review: Using Fuss to Fight Off a Funk
By BY TEO BUGBEE from NYT Movies https://ift.tt/2ZKylsL
‘The Way I See It’ Review: Hailing Days Not Too Far Past
By BY GLENN KENNY from NYT Movies https://ift.tt/3c7pupL
‘God of the Piano’ Review: How Far Will Mother Go?
By BY GLENN KENNY from NYT Movies https://ift.tt/3c60grU
‘Blackbird’ Review: The Goodbye Girl
By BY JEANNETTE CATSOULIS from NYT Movies https://ift.tt/3c7dXqq
‘A Chef’s Voyage’ Review: Not the Freshest Ingredients
By BY BEN KENIGSBERG from NYT Movies https://ift.tt/3c5N6v7
‘Residue’ Review: When the Old Neighborhood Is No Longer Yours
By BY GLENN KENNY from NYT Movies https://ift.tt/3c7dg0i
‘I’ve Got Issues’ Review: Seeking a Point, Starting to Break
By BY JEANNETTE CATSOULIS from NYT Movies https://ift.tt/2FBHE7m
‘Alone’ Review: Catch Her if You Can
By BY JEANNETTE CATSOULIS from NYT Movies https://ift.tt/33xhz1c
‘Antebellum’ and the Horrors of History That Persist Today
By BY CANDICE FREDERICK from NYT Movies https://ift.tt/3mxguz1
Geraldine Viswanathan on Karaoke and Lizzo Dance Breaks
By BY NANCY COLEMAN from NYT Movies https://ift.tt/32BWun9
How ‘Goodfellas’ and the Gangster Class of 1990 Changed Hollywood
By BY JASON BAILEY from NYT Movies https://ift.tt/3knwzW9
‘The Devil All the Time’ Review: Down-Home Livin’ and Dyin’
By BY MANOHLA DARGIS from NYT Movies https://ift.tt/35NYWIW
Jiri Menzel, Oscar-Winning Czech Director, Dies at 82
By BY NEIL GENZLINGER from NYT Movies https://ift.tt/3kfWrDe