Dave Prowse, Man Behind Darth Vader’s Mask, Is Dead at 85
By BY ALEX MARSHALL from NYT Movies https://ift.tt/3llvxtM
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Dave Prowse, Man Behind Darth Vader’s Mask, Is Dead at 85
By BY ALEX MARSHALL from NYT Movies https://ift.tt/2KPM9xr
Some Movies Actually Understand Poverty in America
By BY JOSHUA ROTHKOPF from NYT Movies https://ift.tt/3medhDZ
‘Black Beauty’ Review: A Melodrama in Need of Rougher Edges
By BY ROBERT DANIELS from NYT Movies https://ift.tt/2KNJxjL
In Need of a Film About Romantic Possibility? Try ‘In the Mood for Love.’
By BY BEN KENIGSBERG from NYT Movies https://ift.tt/3671xO0
‘Zappa’ Review: Portrait of a Rock Star and a Nation’s Hero
By BY GLENN KENNY from NYT Movies https://ift.tt/3fAgAmB
‘Superintelligence’ Review: Melissa McCarthy Has to Save the World
By BY GLENN KENNY from NYT Movies https://ift.tt/37an87B
‘Stardust’ Review: A Week With David Bowie, Unaccompanied by His Music
By BY GLENN KENNY from NYT Movies https://ift.tt/33jELAM
‘My Psychedelic Love Story’ Review: On the Run With Timothy Leary
By BY GLENN KENNY from NYT Movies https://ift.tt/3m7Spyc
‘Mosul’ Review: In Iraq, This Time It’s Personal
By BY BEN KENIGSBERG from NYT Movies https://ift.tt/39lcMo2
‘Kill It and Leave This Town’ Review: Grotesque, Bleak and Endless
By BY MAYA PHILLIPS from NYT Movies https://ift.tt/2HCwhNp
In a Holiday Lesbian Rom-Com, Kristen Stewart Saw Herself
By BY MELENA RYZIK from NYT Movies https://ift.tt/2KHNAxR
Los 25 mejores actores del siglo XXI (hasta ahora)
By BY MANOHLA DARGIS AND A.O. SCOTT from NYT Movies https://ift.tt/39nyw2u
In a Holiday Lesbian Rom-Com, Kristen Stewart Saw Herself
By BY MELENA RYZIK from NYT Movies https://ift.tt/2JccnJA
‘Uncle Frank’ Review: Coming of Age, Coming to Terms
By BY BEN KENIGSBERG from NYT Movies https://ift.tt/378LXRq
‘The Croods: A New Age’ Review: More Civilized
By BY BEN KENIGSBERG from NYT Movies https://ift.tt/2HAxt43
‘Happiest Season’ Review: Make the Yuletide Gay
By BY TEO BUGBEE from NYT Movies https://ift.tt/3l4e2hM
The 25 Greatest Actors of the 21st Century (So Far)
By BY MANOHLA DARGIS AND A.O. SCOTT from NYT Movies https://ift.tt/363BXJN
‘The Christmas Chronicles: Part Two’ Review: Meet the Clauses
By BY NATALIA WINKELMAN from NYT Movies https://ift.tt/3l3k0iW
Melissa McCarthy and Ben Falcone on ‘Superintelligence’ and Living Comedy
By BY KATHRYN SHATTUCK from NYT Movies https://ift.tt/2J54hmp
‘Dolly Parton’s Christmas on the Square’ Review: Holiday Winks
By BY WESLEY MORRIS from NYT Movies https://ift.tt/3nMQq2M
A Film Festival in Poland Feted His Work. Now He May Face Prison There.
By BY CARA BUCKLEY AND ANATOL MAGDZIARZ from NYT Movies https://ift.tt/2Krd0j2
Offbeat Streaming: ‘Knock Knock,’ ‘John Lewis’ and ‘Sleight’
By BY JASON BAILEY from NYT Movies https://ift.tt/2UQ7RDh
‘Shawn Mendes: In Wonder’ Review: A Skin-Deep Portrait
By BY CHRIS AZZOPARDI from NYT Movies https://ift.tt/35VrErh
Nelly Kaplan, Whose Films Explored Female Strength, Dies at 89
By BY NEIL GENZLINGER from NYT Movies https://ift.tt/38ZqnBm
Soumitra Chatterjee, Globally Acclaimed Indian Film Star, Dies at 85
By BY ALEX TRAUB from NYT Movies https://ift.tt/3lPeKkb
With ‘Sylvie’s Love,’ Eugene Ashe Returns With a Big Hollywood Romance
By BY MEKADO MURPHY from NYT Movies https://ift.tt/3nLNHXd
Kiera Allen of ‘Run’ on Upending Disability Stereotypes
By BY DEBORAH LEIDERMAN from NYT Movies https://ift.tt/2UMrbkN
‘The Real Right Stuff’ Review: A Movie Still Waiting for Liftoff
By BY AMY NICHOLSON from NYT Movies https://ift.tt/35KTjen
A Canadian Town Is a Festive Anywhere, U.S.A., Onscreen
By BY CHRISTOPHER GULY from NYT Movies https://ift.tt/391E4Qb
‘Collective’ Review: When Tragedy Consumes a Nation
By BY MANOHLA DARGIS from NYT Movies https://ift.tt/32Z47Ux
‘Team Marco’ Review: Bocce Will Save Our Youth
By BY TEO BUGBEE from NYT Movies https://ift.tt/36Qt0Tb
‘Soros’ Review: A Philanthropist in the Spotlight
By BY BEN KENIGSBERG from NYT Movies https://ift.tt/3nCI0ef
‘Mangrove’ Review: A Restaurant’s Radicalism
By BY A.O. SCOTT from NYT Movies https://ift.tt/3nC1EqF
‘Vanguard’ Review: Jackie Chan, More Avuncular Than Action This Time
By BY GLENN KENNY from NYT Movies https://ift.tt/36IlVUE
‘The Last Vermeer’ Review: A Lost Masterpiece Is Only the Beginning
By BY GLENN KENNY from NYT Movies https://ift.tt/38VWLVn
‘The Princess Switch: Switched Again’ Review: A Who’s Who of Hudgens
By BY HELEN T. VERONGOS from NYT Movies https://ift.tt/3fc2zvd
‘Sound of Metal’ Review: When the Music Stops, the Healing Begins
By BY JEANNETTE CATSOULIS from NYT Movies https://ift.tt/3nQghaj
‘The Twentieth Century’ Review: The Great Weird North
By BY NIC RAPOLD from NYT Movies https://ift.tt/3nBEXmD
Anthony Hopkins Makes It Look Simple. (And Maybe It Should Be.)
By BY KYLE BUCHANAN from NYT Movies https://ift.tt/2UHZbig