‘Home Team’ Review: Fumblecore
By BY AMY NICHOLSON from NYT Movies https://ift.tt/p6Cjzovaw
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‘The Exiles’ and ‘Nanny’ Win Top Prizes at Sundance
By BY NICOLE SPERLING from NYT Movies https://ift.tt/32FfsMj
‘The Exiles’ and ‘Nanny’ Win Top Prizes at Sundance
By BY NICOLE SPERLING from NYT Movies https://ift.tt/32H3vFX
Carol Speed, Vixen of the Blaxploitation Era, Dies at 76
By BY ALEX TRAUB from NYT Movies https://ift.tt/34gK0oi
Family of Slain ‘Rust’ Cinematographer Weighs Wrongful-Death Lawsuit
By BY JULIA JACOBS from NYT Movies https://ift.tt/3g2FgoV
A Sundance With Brains and Guts, Disemboweled and Otherwise
By BY MANOHLA DARGIS from NYT Movies https://ift.tt/3o3JKQo
Family of Slain ‘Rust’ Cinematographer Weighs Wrongful-Death Lawsuit
By BY JULIA JACOBS from NYT Movies https://ift.tt/3u7AE97
Woody Allen’s ‘Rifkin’s Festival’ Is Opening in U.S. Theaters
By BY JULIA JACOBS from NYT Movies https://ift.tt/32E4IOi
Watch the Throne: How Joel Coen Came to Make ‘The Tragedy of Macbeth’
By BY DAVE ITZKOFF from NYT Movies https://ift.tt/3o5c3xX
Directors Guild Nominations Focus on Veterans Like Jane Campion and Steven Spielberg
By BY KYLE BUCHANAN from NYT Movies https://ift.tt/3g3wt61
‘A Taste of Hunger’ Review: A Relentless Pursuit of Perfection
By BY TEO BUGBEE from NYT Movies https://ift.tt/3sfxEVR
Writers Guild Nominations: ‘Don’t Look Up,’ ‘Licorice Pizza’ and More
By BY KYLE BUCHANAN from NYT Movies https://ift.tt/3HbBw0i
‘The Fallout’ Review: The Unexpected Effects of Trauma
By BY CLAIRE SHAFFER from NYT Movies https://ift.tt/3IzOVPY
‘The Conductor’ Review: Seizing the Baton
By BY BEN KENIGSBERG from NYT Movies https://ift.tt/3u3zJqd
‘They/Them/Us’ Review: Working Out the Kinks
By BY CALUM MARSH from NYT Movies https://ift.tt/3KLuMZ3
‘La Soga Salvation’ Review: A Very Inferior Set of Thrills
By BY BEATRICE LOAYZA from NYT Movies https://ift.tt/3u5K9ps
‘Sundown’ Review: Stuck in Shallow Waters in Acapulco
By BY BEANDREA JULY from NYT Movies https://ift.tt/3nWXIDJ
He’s a Doctor. He’s an Actor. He’s an Indie Heartthrob.
By BY KYLE BUCHANAN from NYT Movies https://ift.tt/34cXgtN
Their Characters Are Stuck, but the Filmmakers Are Anything But
By BY LAURA ZORNOSA from NYT Movies https://ift.tt/3u3m9TM
‘Compartment No. 6’ Review: Strangers on a Russian Train
By BY MANOHLA DARGIS from NYT Movies https://ift.tt/32BSdD2
Worried About the Health of Cinema? Sundance Has Good News for You.
By BY A.O. SCOTT from NYT Movies https://ift.tt/3u7kkoG
Peter Dinklage Calls Disney’s ‘Snow White’ Remake ‘Backward’
By BY MAYA SALAM from NYT Movies https://ift.tt/35svlqJ
Alec Baldwin Seeks Dismissal of ‘Rust’ Lawsuit
By BY JULIA JACOBS from NYT Movies https://ift.tt/3FZMTa0
‘Beyond the Infinite Two Minutes’ Review: Hello, It’s You
By BY JEANNETTE CATSOULIS from NYT Movies https://ift.tt/3tXrnjL
Mahershala Ali Finally Gets the Leading Role He Deserves
By BY ROBERT ITO from NYT Movies https://ift.tt/3rQRBlh
‘Buried,’ ‘Night Comes On’ and More Streaming Gems
By BY JASON BAILEY from NYT Movies https://ift.tt/3FXEzYz
Watch a Seductive Moment in ‘The Power of the Dog’
By BY MEKADO MURPHY from NYT Movies https://ift.tt/3Ak8854
‘The Power of the Dog’ | Anatomy of a Scene
By BY MEKADO MURPHY from NYT Movies https://ift.tt/35fW21L
At Sundance, Two Films Look at Abortion and the Jane Collective
By BY NICOLE SPERLING from NYT Movies https://ift.tt/3rtYusM
‘The Tiger Rising’ Review: A Cage of Clichés
By BY TEO BUGBEE from NYT Movies https://ift.tt/3Kt1kH0
Hardy Kruger, German-Born Hollywood Star, Is Dead at 93
By BY STEPHEN KINZER from NYT Movies https://ift.tt/3fKhPR8
‘Salt in My Soul’ Review: Living, Even Thriving, With Illness
By BY BEN KENIGSBERG from NYT Movies https://ift.tt/3GM2MlJ
‘Donkeyhead’ Review: You Really Can’t Go Home Anymore
By BY BEATRICE LOAYZA from NYT Movies https://ift.tt/32gPheR
‘The Last Thing Mary Saw’ Review: God Is Always Watching
By BY LENA WILSON from NYT Movies https://ift.tt/3ryjXRs
‘Lunana: A Yak in the Classroom’ Review: Remote Learning
By BY NICOLAS RAPOLD from NYT Movies https://ift.tt/3fFDw4u
The Day New Queer Cinema Said: Let’s Do This
By BY ERIK PIEPENBURG from NYT Movies https://ift.tt/3Agi1Rj
‘Definition Please’ Review: What Does It All Mean?
By BY LISA KENNEDY from NYT Movies https://ift.tt/3Af2L7i
France’s Colonial Conflict, Filmed From Both Sides
By BY J. HOBERMAN from NYT Movies https://ift.tt/33xa5iM
Jon Bernthal’s Guide to Making It as a Supporting Actor
By BY KYLE BUCHANAN from NYT Movies https://ift.tt/3IlqGEU
Gaspard Ulliel, Star of French Cinema, Dies in Skiing Accident
By BY ALEX MARSHALL from NYT Movies https://ift.tt/3fCySEn
Jeremy Irons Is Transported by Renzo Piano and a Dog Named Smudge
By BY KATHRYN SHATTUCK from NYT Movies https://ift.tt/3ru2edK
‘Nocturna’ Review: A Dark Night of the Soul
By BY JEANNETTE CATSOULIS from NYT Movies https://ift.tt/3GHYZFV
Alec Baldwin Turns Over His Phone in ‘Rust’ Investigation, Lawyer Says
By BY JULIA JACOBS AND GRAHAM BOWLEY from NYT Movies https://ift.tt/3I74uhS
Alec Baldwin Turns Over His Phone in ‘Rust’ Investigation, Lawyer Says
By BY JULIA JACOBS AND GRAHAM BOWLEY from NYT Movies https://ift.tt/34RgFB4
‘There’s Not Just One Type of Porn’: Erika Lust’s Alternative Vision
By BY MARY KATHARINE TRAMONTANA from NYT Movies https://ift.tt/3I3zgrR
