Watch These 13 Movies Before They Leave Netflix in March
By BY JASON BAILEY from NYT Movies https://ift.tt/nS76l9o
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‘The Batman’ and Matt Reeves: Emerging From the Shadow of Other Caped Crusaders
By BY DAVE ITZKOFF from NYT Movies https://ift.tt/qWC3vo4
SAG Awards 2022: The Complete Winners List
By BY THE NEW YORK TIMES from NYT Movies https://ift.tt/TjILQMk
‘Tyler Perry’s A Madea Homecoming’ Review: Tyler’s Hard Lemonade
By BY AMY NICHOLSON from NYT Movies https://ift.tt/DmLHdN8
‘The Desperate Hour’ Review: An Exercise in Panic
By BY WESLEY MORRIS from NYT Movies https://ift.tt/QEXzhJW
Foo Fighters Made a Horror Film. Because Why Not?
By BY SARA ARIDI from NYT Movies https://ift.tt/903XVhA
Why Is ‘Cyrano’ Still So Potent? Ask Anyone Who’s Loved at All.
By BY JASON BAILEY from NYT Movies https://ift.tt/Xw1AJdD
Sally Kellerman, Oscar-Nominated ‘MASH’ Actress, Is Dead at 84
By BY CHRISTINE CHUNG from NYT Movies https://ift.tt/lX6xcbt
‘The 2022 Oscar Nominated Short Films’ Review: Small Tales, Big Ideas
By BY JEANNETTE CATSOULIS, AMY NICHOLSON AND BEN KENIGSBERG from NYT Movies https://ift.tt/RomBs52
‘Family Squares’ Review: These People Are Way Off the Grid
By BY CONCEPCIÓN DE LEÓN from NYT Movies https://ift.tt/QL6XGpv
‘Big Gold Brick’ Review: Sad Sack Makes Good
By BY NICOLAS RAPOLD from NYT Movies https://ift.tt/nEh7GVa
‘Friends and Strangers’ Review: G’day, Mates
By BY BEN KENIGSBERG from NYT Movies https://ift.tt/RzyIH0D
‘Studio 666’ Review: Foo Fighting the Devil
By BY WESLEY MORRIS from NYT Movies https://ift.tt/20D6IZk
‘Three Months’ Review: A Refreshing Film Treatment of H.I.V.
By BY TEO BUGBEE from NYT Movies https://ift.tt/cTnZ7tJ
‘Cyrano’ Review: Who Wrote the Book of Love?
By BY A.O. SCOTT from NYT Movies https://ift.tt/7zAX5DE
Restoring ‘The Godfather’ to Its Original (Still Dark) Glory
By BY DAVE ITZKOFF from NYT Movies https://ift.tt/2F9efut
‘Strawberry Mansion’ Review: Adventures in Slumberland
By BY AMY NICHOLSON from NYT Movies https://ift.tt/CJvXADj
‘Ride the Eagle,’ ‘Bergman Island’ and More Streaming Gems
By BY JASON BAILEY from NYT Movies https://ift.tt/WzTDv4V
‘Mr. Bachmann and His Class’ Review: Learning From the Best
By BY A.O. SCOTT from NYT Movies https://ift.tt/4ytjg61
‘Being a Woman is Full of Horror’: Female Directors Discuss Their Craft
By BY ALEX MARSHALL from NYT Movies https://ift.tt/0lk8roZ
‘Being a Woman is Full of Horror’: Female Directors Discuss Their Craft
By BY ALEX MARSHALL from NYT Movies https://ift.tt/q5dGbXQ
Five Science Fiction Movies to Stream Now
By BY ELISABETH VINCENTELLI from NYT Movies https://ift.tt/ypgGjVO
‘The Automat,’ Where Dining Out Was D.I.Y.
By BY NICOLAS RAPOLD from NYT Movies https://ift.tt/OCUWJmM
‘Texas Chainsaw Massacre’ Review: The Blade Is Back
By BY JEANNETTE CATSOULIS from NYT Movies https://ift.tt/ITt9YwB
The Joy (and Pain) of the Physical, at an In-Person Berlin Film Festival
By BY JESSICA KIANG from NYT Movies https://ift.tt/dUk51Wp
‘The Automat’ Review: Put a Nickel in the Slot for Nostalgia
By BY WESLEY MORRIS from NYT Movies https://ift.tt/xSehkwB
‘Inspector Ike’ Review: A Murder Mystery Send-Up, ’70s-TV style
By BY GLENN KENNY from NYT Movies https://ift.tt/uWPFBhp
‘A Banquet’ Review: Starving for a Higher Purpose
By BY LENA WILSON from NYT Movies https://ift.tt/lvOgMb7
‘Alcarràs’ Wins Top Prize at Berlin Film Festival
By BY THOMAS ROGERS from NYT Movies https://ift.tt/j3letHd
Six Highlights From the Black Film Archive
By BY LAURA ZORNOSA from NYT Movies https://ift.tt/JKBFZNl
‘CODA’ Star Troy Kotsur on His Historic, Healing Oscar Nomination
By BY KYLE BUCHANAN from NYT Movies https://ift.tt/rqC2uG1
‘Taste’ Review: A Slow, Sensual Hallucination Set in Vietnam
By BY WESLEY MORRIS from NYT Movies https://ift.tt/eK50JWc
‘For Lucio’ Review: The Voice of Italy for Four Decades
By BY A.O. SCOTT from NYT Movies https://ift.tt/RpC0Xyt
Family of Slain Cinematographer Sues Alec Baldwin and ‘Rust’ Producers
By BY JULIA JACOBS AND GRAHAM BOWLEY from NYT Movies https://ift.tt/X3fJB57
‘Icahn: The Restless Billionaire’ Review: Right on the Money
By BY NICOLAS RAPOLD from NYT Movies https://ift.tt/BXxaK9v
Isabelle Huppert Doesn’t Watch Her Past Films, but She Will Discuss Them
By BY THOMAS ROGERS from NYT Movies https://ift.tt/JG4QEx8
What Makes a Good Hercule Poirot? (It’s More Than the Little Gray Cells.)
By BY CALUM MARSH from NYT Movies https://ift.tt/Fx7mZvW
‘Oscar Peterson: Black + White’ Review: Never Mind the Talking Heads
By BY CALUM MARSH from NYT Movies https://ift.tt/zNiILyt
Wanda Sykes, Amy Schumer and Regina Hall to Host the Oscars
By BY KYLE BUCHANAN AND NICOLE SPERLING from NYT Movies https://ift.tt/4IXWJCB
‘Somewhere With No Bridges’ Review: Of Men and Memories
By BY MANOHLA DARGIS from NYT Movies https://ift.tt/EAq0YSG
Ivan Reitman, Director of ‘Ghostbusters,’ Is Dead at 75
By BY CHRISTINE CHUNG from NYT Movies https://ift.tt/cNGx82O
Mifune’s Transcendent Films, With and Without Kurosawa
By BY MIKE HALE from NYT Movies https://ift.tt/4buOmKe
Douglas Trumbull, Visual Effects Wizard, Dies at 79
By BY RICHARD SANDOMIR from NYT Movies https://ift.tt/QiSCPVH