Stream These Three Great Documentaries
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Sacheen Littlefeather and the Question of Native Identity
By BY EDUARDO MEDINA AND MICHAEL LEVENSON from NYT Movies https://ift.tt/JfcLKZt
Stream These 7 Movies and Shows Before They Leave Netflix This Month
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James Gray on ‘Armageddon Time,’ Antisemitism and Racism in 1980s Queens
By BY BEN KENIGSBERG from NYT Movies https://ift.tt/imtX5fT
Sigourney Weaver Has Us All Fooled: She’s Really Quite Silly
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Five Science Fiction Movies to Stream Now
By BY ELISABETH VINCENTELLI from NYT Movies https://ift.tt/rZKao6Y
In a German ‘All Quiet on the Western Front,’ History Has a Starring Role
By BY CHRISTOPHER F. SCHUETZE from NYT Movies https://ift.tt/0wSR1HQ
‘Peaceful’ Review: A Homage to French Filmmaking
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Sheriff Delivers Results of ‘Rust’ Shooting Investigation to Prosecutors
By BY JULIA JACOBS AND GRAHAM BOWLEY from NYT Movies https://ift.tt/5FPKbXj
‘Call Jane’ Review: Abortion History That’s Being Repeated Now
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‘All Quiet on the Western Front’ Review: The Spectacle of War
By BY BEN KENIGSBERG from NYT Movies https://ift.tt/OvHlQAo
When Henry Selick and Jordan Peele Team Up, Things Get Wild
By BY CARLOS AGUILAR from NYT Movies https://ift.tt/XtQIZlK
‘The Lair’ Review: Going Underground
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‘The Runner’ Is a Gem of the Iranian New Wave
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With ‘The Good Nurse,’ a Director Takes on a Serial Killer and a System
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She Knew the Cello. The Acting She Learned With Cate Blanchett.
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James Wan Prefers Peter Jackson’s Gory Horror Comedies
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How ‘Terrifier 2’ Slashed Its Way to Box Office Success
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James Cameron and the Cast of ‘Avatar: The Way of Water’ Hold Their Breath
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Paul Mescal Has Been Working Things Out
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Danielle Deadwyler Is the Beating Heart of ‘Till’
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An Iranian Exile Channels Her Trauma Into Film
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‘The African Desperate’ Expands the Movies’ Narrow View of the Art World
By BY NICOLAS RAPOLD from NYT Movies https://ift.tt/tBZhfMQ
The Stars of ‘The School for Good and Evil’ Share a Name. But That’s Not All.
By BY SARAH BAHR from NYT Movies https://ift.tt/P3bRjaY
How George Clooney and Julia Roberts Quietly Became the Tracy-Hepburn of Our Time
By BY JASON BAILEY from NYT Movies https://ift.tt/kjBqSVe
‘Everything Everywhere,’ All Through Awards Season?
By BY KYLE BUCHANAN from NYT Movies https://ift.tt/gzSNw9b
‘Descendant’ Review: The Fates of a Ship and its Captives
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Animal Lovers, Rejoice: The NY Cat and Dog Film Festivals Return
By BY LAUREL GRAEBER from NYT Movies https://ift.tt/k0h1XUK
‘My Policeman’ Review: Two Love Affairs, Equally Tragic
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‘All That Breathes’ Review: Hope Is the Thing With Feathers
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‘The Fire that Took Her’ Review: An Unflinching Portrait of Pain
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‘The Banshees of Inisherin’ Review: Giving Your Friend the Finger
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‘Black Adam’ Review: Heroism, but Paint It Black
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‘Ticket to Paradise’ Review: Yes, They Like Piña Coladas
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‘Definition Please,’ ‘Cyrus’ and More Streaming Gems
By BY JASON BAILEY from NYT Movies https://ift.tt/iRqLa4A
‘The School for Good and Evil’ Review: Ever Afters and Never Afters
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‘Triangle of Sadness’ | Anatomy of a Scene
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‘Year One: A Political Odyssey’ Review: Biden by the Numbers
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‘The Ring’ at 20: Millennial Horror That’s Still Infecting Movies Today
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‘Mama’s Boy’ Review: Mother and Son Pave the Way Forward
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Dwayne Johnson Is Ready to Embrace the Heel Again in ‘Black Adam’
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‘The Curse of Bridge Hollow’ Review: Attack of the Halloween Décor
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‘Till’ Review: He Was Someone’s Son, Too
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