What Do ‘Candyman’ and ‘Peter Pan & Wendy’ Have in Common? A Director Explains.
By BY CARLOS AGUILAR from NYT Movies https://ift.tt/KP81Obw
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Stream These 6 Titles Before They Leave Netflix in May
By BY JASON BAILEY from NYT Movies https://ift.tt/tySLnab
‘Are You There God? It’s Me, Margaret’ | Anatomy of a Scene
By BY MEKADO MURPHY from NYT Movies https://ift.tt/UHun7G4
In Nida Manzoor’s World, Martial Arts and Jane Austen Belong in the Same Movie
By BY ELISABETH VINCENTELLI from NYT Movies https://ift.tt/0V6uoea
‘The Trip to Greece,’ ‘Moonwalkers’ and More Streaming Gems
By BY JASON BAILEY from NYT Movies https://ift.tt/F4ZJfGv
‘Peter Pan & Wendy’ Review: A New Girl in Neverland
By BY AMY NICHOLSON from NYT Movies https://ift.tt/aqy1x37
‘Big George Foreman’ Review: Not the Biopic a Two-time Champ Deserves
By BY GLENN KENNY from NYT Movies https://ift.tt/6mlgT1J
‘Freaks vs. the Reich’ Review: Band of Others
By BY NICOLAS RAPOLD from NYT Movies https://ift.tt/zK3AEOJ
‘Wynonna Judd: Between Hell and Hallelujah’ Review: The Show Must Go On
By BY CHRIS AZZOPARDI from NYT Movies https://ift.tt/ygPKFL0
Watch These Great Harry Belafonte Screen Performances
By BY JASON BAILEY from NYT Movies https://ift.tt/2w0ItRV
‘Centurion: The Dancing Stallion’ Review: Romance on the Ranch
By BY NATALIA WINKELMAN from NYT Movies https://ift.tt/TAHcoys
Killer Moms and Bloody Elevators: A Talk With the Stars of ‘Evil Dead Rise’
By BY ERIK PIEPENBURG from NYT Movies https://ift.tt/CxPJeiW
Benjamin Millepied Uses Movement to Reinvent ‘Carmen’ on Camera
By BY ROSLYN SULCAS from NYT Movies https://ift.tt/FKbCR7k
‘Dry Ground Burning’ Review: Feminist Gangsters, Brazilian Style
By BY BEATRICE LOAYZA from NYT Movies https://ift.tt/prG5PZj
Name Above the Movie Title? How About in It?
By BY LEAH GREENBLATT from NYT Movies https://ift.tt/mnZvTEi
‘Chevalier’ Review: A Black Virtuoso Rocks the Court of Marie Antoinette
By BY LISA KENNEDY from NYT Movies https://ift.tt/OPzi23X
‘Other People’s Children’ Review: True Romance
By BY MANOHLA DARGIS from NYT Movies https://ift.tt/bcQyjTF
‘Are You There God? It’s Me, Margaret’: Beloved, Banned and Finally Adapted
By BY MELENA RYZIK from NYT Movies https://ift.tt/VlqjSfc
‘Somewhere in Queens’ Review: Rooting for the Underdog
By BY GLENN KENNY from NYT Movies https://ift.tt/rADQCam
2023 Tribeca Festival Unveils a Lineup Filled With Stars Turned Directors
By BY MATT STEVENS from NYT Movies https://ift.tt/UmfYqPh
2023 Tribeca Festival Unveils a Lineup Filled With Stars Turned Directors
By BY MATT STEVENS from NYT Movies https://ift.tt/iTQ5IDv
A Director and a Rock Band Are Redrawing the Contours of Anime
By BY CARLOS AGUILAR from NYT Movies https://ift.tt/FhsyTZq
How to Build an Environmental Thriller in Five Not-So-Easy Steps
By BY NICOLAS RAPOLD from NYT Movies https://ift.tt/1aQrVTA
‘The Pope’s Exorcist’ Review: A Head-Spinning Genre Mash-Up
By BY ELISABETH VINCENTELLI from NYT Movies https://ift.tt/rgmDFWb
Five Science Fiction Movies to Stream Now
By BY ELISABETH VINCENTELLI from NYT Movies https://ift.tt/c0WApSH
Wherever These Surgeries Went, the Camera Did, Too
By BY BEN KENIGSBERG from NYT Movies https://ift.tt/pMah3mB
‘The Last Kingdom: Seven Kings Must Die’ Review: Flesh Wounds
By BY ROBERT DANIELS from NYT Movies https://ift.tt/dYkPTmU
‘Renfield’ Review: Dracula, Worst Boss Ever
By BY MANOHLA DARGIS from NYT Movies https://ift.tt/Z3n4uNU
‘Honorable Men’ Review: The Trials of a Prime Minister
By BY BEN KENIGSBERG from NYT Movies https://ift.tt/frsOCZ3
‘Everything Went Fine’ Review: To Be or Not to Be?
By BY DEVIKA GIRISH from NYT Movies https://ift.tt/W9hFB1t
‘Mafia Mamma’ Review: An Offer You Can Refuse
By BY JEANNETTE CATSOULIS from NYT Movies https://ift.tt/MOlYBy7
‘Beau Is Afraid’ Review: A Visit With Mommy Dearest
By BY MANOHLA DARGIS from NYT Movies https://ift.tt/BWIJZuq
‘Sick of Myself’ Review: When Main Character Syndrome Runs Amok
By BY BEATRICE LOAYZA from NYT Movies https://ift.tt/m1niMwL
‘Tommy Guns’ Review: A Shape-Shifting Spectacle of Military Life
By BY NATALIA WINKELMAN from NYT Movies https://ift.tt/A3zrh06
‘Air’ and the Argument for Letting the Talent Share in the Profits
By BY MARC TRACY from NYT Movies https://ift.tt/CawvlmJ
Bill Butler, Cinematographer Best Known for ‘Jaws,’ Dies at 101
By BY JOHN ANDERSON from NYT Movies https://ift.tt/o5OENab
A New Kelly Reichardt Movie? These Actors Keep Showing Up
By BY ESTHER ZUCKERMAN from NYT Movies https://ift.tt/0Ut3oas
In 1993 ‘Super Mario Bros.’ Bombed; in 2023, It’s a Hit With a New Generation
By BY DARRYN KING from NYT Movies https://ift.tt/8USNAvC
