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Showing posts from October, 2023

Three Great Documentaries to Stream

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By Ben Kenigsberg from NYT Movies https://ift.tt/wEroqmT

Stream These 10 Movies Before They Leave Netflix in November

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By Jason Bailey from NYT Movies https://ift.tt/ZVE6Uy0

Meg Ryan Wrestles With the Rom-Com

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By Melena Ryzik from NYT Movies https://ift.tt/w6kHWKJ

How Truths Are Told at a Liquor Store in ‘The Holdovers’

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By Mekado Murphy from NYT Movies https://ift.tt/PKajQpH

‘The Holdovers’ | Anatomy of a Scene

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By Mekado Murphy from NYT Movies https://ift.tt/5z7LZ6N

Martin and Francesca Scorsese, TikTok’s Dynamic Duo

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By Maya Salam from NYT Movies https://ift.tt/9n4XiDj

A Landmark of Black Cinema, Restored for a New Age

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By Simran Hans from NYT Movies https://ift.tt/W02Dlo1

‘Five Nights at Freddy’s’ Review: Creepypizza

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By Natalia Winkelman from NYT Movies https://ift.tt/eIs6DHu

‘The Holdovers’ Review: Three Sad Souls Stranded for Christmas

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By Wesley Morris from NYT Movies https://ift.tt/PunIwmS

‘Pain Hustlers’ Review: Seeking Dr. Feelgood

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By Amy Nicholson from NYT Movies https://ift.tt/6oOfPjt

‘Inspector Sun’ Review: A Web of Cinema Classics

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By Calum Marsh from NYT Movies https://ift.tt/8IhKF31

‘Four Daughters’ Review: The Role Family Plays

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By Beatrice Loayza from NYT Movies https://ift.tt/w9UDosL

‘The Nightmare Before Christmas’: A Hit That Initially Unnerved Disney

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By Carlos Aguilar from NYT Movies https://ift.tt/X7cfZue

Richard Roundtree, Star of ‘Shaft,’ Dies at 81

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By Anita Gates from NYT Movies https://ift.tt/34pLwiG

‘Elephant’ at 20: A Drama About a Mass Shooting Remains Chilling

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By Carlos Aguilar from NYT Movies https://ift.tt/BGmHxTQ

‘Miss Juneteenth,’ ‘Dredd’ and More Streaming Gems

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By Jason Bailey from NYT Movies https://ift.tt/wb25x7a

From ‘Goodfellas’ to ‘Flower Moon’: How Scorsese Has Rethought Violence

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By Jason Bailey from NYT Movies https://ift.tt/qlkD5xN

‘Killers of the Flower Moon’ Has Some Surprising Cameos. Here’s a Guide.

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By Rob LeDonne from NYT Movies https://ift.tt/Ny8dSDE

A Cannes Winner Asks: What if the Powerful Woman Isn’t Punished?

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By Beatrice Loayza from NYT Movies https://ift.tt/P2wMH75

‘The Persian Version’ Director Has Always Lived in the In-Between

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By Maya Salam from NYT Movies https://ift.tt/rSPLNZB

What to Know About ‘Killers of the Flower Moon’: A Guide to the Osage Murders

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By Sarah Bahr from NYT Movies https://ift.tt/kehA4Tn

‘Old Dads’ Review: Bill Burr Rails Against Modern Life as a Dad

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By Glenn Kenny from NYT Movies https://ift.tt/qBZTolJ

‘Young Soul Rebels’: When Punk Was in Full Bloom

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By J. Hoberman from NYT Movies https://ift.tt/JtBCI4Q

‘Butcher’s Crossing’ Review: Perilous Country

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By Brandon Yu from NYT Movies https://ift.tt/vxUiM3G

‘Killers of the Flower Moon’ Review: An Unsettling Masterpiece

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By Manohla Dargis from NYT Movies https://ift.tt/1vLN0Bq

Burt Young, ‘Rocky’ Actor Who Played Complex Tough Guys, Dies at 83

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By Alex Williams from NYT Movies https://ift.tt/8QLp2al

At NY Dog and Cat Film Festivals, Love, Licks and Looniness

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By Laurel Graeber from NYT Movies https://ift.tt/4h6gf7i

‘The Delinquents’ Review: Money for Nothing

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By Ben Kenigsberg from NYT Movies https://ift.tt/QIpfCdv

'The Exorcist' at 50: How One Horror Movie Shocked the World

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By Manohla Dargis, Jason Zinoman and Erik Piepenburg from NYT Movies https://ift.tt/E8AKjC7

‘The Devil on Trial’ Review: Whodunit? Satan?

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By Calum Marsh from NYT Movies https://ift.tt/Z4TNfLm

‘The Insurrectionist Next Door’ Review: Getting Personal

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By Nicolas Rapold from NYT Movies https://ift.tt/ODwGtWg

After ‘Taylor Swift: The Eras Tour,’ Stream These 8 Great Concert Movies

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By The New York Times from NYT Movies https://ift.tt/5FdkQuN

Piper Laurie, Reluctant Starlet Turned Respected Actress, Dies at 91

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By Anita Gates from NYT Movies https://ift.tt/bvc6BKk

‘Taylor Swift: The Eras Tour’ Movie Review: Look What We Made Her Do

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By Wesley Morris from NYT Movies https://ift.tt/TJeiCQm

Academy Museum Postpones Gala, Citing the War in Israel

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By Robin Pogrebin from NYT Movies https://ift.tt/TsKD0qO

Five Horror Movies to Stream Now

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By Erik Piepenburg from NYT Movies https://ift.tt/587Bum0

The Secret Art of Turning a Concert Into a Film (Taylor’s Version)

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By Calum Marsh from NYT Movies https://ift.tt/7t348d2

The Secret Art of Turning a Concert Into a Film (Taylor’s Version)

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By Calum Marsh from NYT Movies https://ift.tt/jMNV8Yy

Taylor Swift’s ‘Eras Tour’ Movie: 4 Takeaways From the Premiere

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By Kyle Buchanan from NYT Movies https://ift.tt/zCfFYQE

‘The Mission’ Review: Blinded by the Light

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By Ben Kenigsberg from NYT Movies https://ift.tt/WwV1qat

‘The Burial’ Review: A Mississippi Courtroom Drama

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By Glenn Kenny from NYT Movies https://ift.tt/GRoW1hq

‘Divinity’ Review: Missed Conception

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By Jeannette Catsoulis from NYT Movies https://ift.tt/jHkDqon

‘Anatomy of a Fall’ Review: Tumbling From the Alps to the Courtroom

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By Amy Nicholson from NYT Movies https://ift.tt/OBrlRxc

‘In My Mother’s Skin’ Review: A Grim Fairy Tale

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By Claire Shaffer from NYT Movies https://ift.tt/wfjWI1k

‘No Accident’ Review: Putting White Supremacists on Trial

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By Nicolas Rapold from NYT Movies https://ift.tt/nQZ5pTV

Terence Davies, 77, Dies; Filmmaker Mined Literature and His Own Life

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By Anita Gates from NYT Movies https://ift.tt/lExwmtn

Terence Davies, 77, Dies; Filmmaker Mined Literature and His Own Life

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By Anita Gates from NYT Movies https://ift.tt/Q1W2fPj

‘The Mill’ Review: A Cog in the Machine

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By Brandon Yu from NYT Movies https://ift.tt/Jck8rVF

When Did the Plot Become the Only Way to Judge a Movie?

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By Beatrice Loayza from NYT Movies https://ift.tt/qJapDFV

‘Last Stop Larrimah’ Review: The Unusual Suspects

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By Nicolas Rapold from NYT Movies https://ift.tt/YBSMXrn