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Showing posts from October, 2024

‘Juror #2’ Review: Clint Eastwood Hands Down a Tough Verdict

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By Manohla Dargis from NYT Movies https://ift.tt/E470liD

‘After: Poetry Destroys Silence’ Review: A Study in Trauma

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By Ben Kenigsberg from NYT Movies https://ift.tt/4jD3SOI

Looking for the Next Streaming Cult Classic? Try Arrow.

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By Jason Bailey from NYT Movies https://ift.tt/ZIaXv7M

Martha Stewart Gives Netflix’s ‘Martha’ a Scalding Review

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By Brooks Barnes from NYT Movies https://ift.tt/AEQUl6Y

Teri Garr’s Life in Pictures

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By The New York Times from NYT Movies https://ift.tt/c91rJwv

Teri Garr Found the Soul in Memorable Ditsy Blondes

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By Esther Zuckerman from NYT Movies https://ift.tt/9ijwAMC

Extra Extra!The End Times, Onscreen

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By Maya Salam from NYT Movies https://ift.tt/3y9MYms

Paul Morrissey, Andy Warhol’s Cinematic Collaborator, Dies at 86

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By William Grimes from NYT Movies https://ift.tt/VLNziMP

California Governor Proposes $750 Million in Annual Film Tax Credits

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By Shawn Hubler and Derrick Bryson Taylor from NYT Movies https://ift.tt/nAK6Bbd

David Harris, Actor in the Cult Classic ‘The Warriors,’ Dies at 75

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By Emmett Lindner from NYT Movies https://ift.tt/nTjbMgR

25 Jump Scares That Still Make Us Jump

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By The New York Times from NYT Movies https://ift.tt/dbPfqxv

‘Dahomey’: A Daring Meditation on the Painful Legacy of Looted Artifacts

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By Alissa Wilkinson from NYT Movies https://ift.tt/71oa04k

Lynda Obst, Producer Who Championed Women in Hollywood, Dies at 74

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By Clay Risen from NYT Movies https://ift.tt/hUFdCfv

Investigation of Georgia Movie Set Crash Finds No Violations

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By Derrick Bryson Taylor from NYT Movies https://ift.tt/OGM5Tm2

‘Conclave’ Review: Serpents and Doves Amok in the Vatican

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By Manohla Dargis from NYT Movies https://ift.tt/cKv4RbE

‘Black Box Diaries’ Review: A Public Face for #MeToo in Japan

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By Manohla Dargis from NYT Movies https://ift.tt/4QVSNbT

‘Family Pack’ Review: Trapped in a Game

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By Calum Marsh from NYT Movies https://ift.tt/DF0vZIh

3 Horror Movies to Watch for Halloween

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By Erik Piepenburg, Gabriel Blanco, Claire Hogan and Ruru Kuo from NYT Movies https://ift.tt/UemnCqA

Watch Dancers Haunt Naomi Scott in ‘Smile 2’

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By Mekado Murphy from NYT Movies https://ift.tt/5DqO02Z

‘Smile 2’ | Anatomy of a Scene

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By Mekado Murphy from NYT Movies https://ift.tt/EDCPBXl

In ‘Smile 2’ and ‘Trap,’ Pop Stardom Looks Pretty Terrifying

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By Esther Zuckerman from NYT Movies https://ift.tt/ZzLHP6O

‘Brothers’ Review: Two-Bit Criminals

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By Brandon Yu from NYT Movies https://ift.tt/rHA5kti

Tegan and Sara and Their Catfishing Horror Story

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By Alissa Wilkinson from NYT Movies https://ift.tt/HDgN4M2

Bob Yerkes, Bruised but Durable Hollywood Stuntman, Dies at 92

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By Michael S. Rosenwald from NYT Movies https://ift.tt/MUjNS4E

Mitzi Gaynor, Leading Lady of Movie Musicals, Is Dead at 93

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By Anita Gates from NYT Movies https://ift.tt/eFVZL4k

‘Anora’ Review: A Pretty Woman From Brooklyn

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By Alissa Wilkinson from NYT Movies https://ift.tt/UHc6trs

They’re ‘Saturday Night Live’ … and You’re Not

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By Jennifer Vineyard from NYT Movies https://ift.tt/PqX3K6S

A Birth Scene So Taxing, Andrew Garfield and Florence Pugh Needed to Rest

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By Esther Zuckerman from NYT Movies https://ift.tt/XZ6wztv

Filmed in New York, Hold the Taxis and Radiators

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By Christopher Kuo from NYT Movies https://ift.tt/fmJQFIV

6 Takeaways From the Christopher Reeve Documentary ‘Super/Man’

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By Melena Ryzik from NYT Movies https://ift.tt/sYNA1U5

In ‘The Last of the Sea Women,’ Divers Face a Vanishing Way of Life

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By Alissa Wilkinson from NYT Movies https://ift.tt/vGwh0Ir

‘Lonely Planet’ Review: Leaving Home to Find Yourself

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By Alissa Wilkinson from NYT Movies https://ift.tt/3wDVCHS

‘Separated’ Review: Interrogating a Policy

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By Ben Kenigsberg from NYT Movies https://ift.tt/wi0TpKq

‘Terrifier 3’ Review: Still Clowning Around

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By Erik Piepenburg from NYT Movies https://ift.tt/GO2x5nW

‘Bad Genius’ Review: Cheating the System

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By Brandon Yu from NYT Movies https://ift.tt/KbCnDIM

Sebastian Stan and Jeremy Strong Say Their Trump Movie Is a Tragedy, Not a Mockery

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By Kyle Buchanan from NYT Movies https://ift.tt/3hBwYs5

‘Daytime Revolution’ Review: Coffee and Counterculture

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By Jeannette Catsoulis from NYT Movies https://ift.tt/RYmLzFy

Waiting Hours for 3 Minutes in the Criterion Closet (Well, Van)

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By Annie Aguiar from NYT Movies https://ift.tt/SsmfBW3

‘The Menendez Brothers’ Review: Reframing a Case

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By Ben Kenigsberg from NYT Movies https://ift.tt/iC0q5fj

At the New York Film Festival, the Most Innovative Work Is Nonfiction

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By Alissa Wilkinson from NYT Movies https://ift.tt/dK8j2lG

With ‘Megalopolis,’ the Flop Era Returns to Cinemas

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By Marc Tracy from NYT Movies https://ift.tt/I27dZno

With ‘Megalopolis,’ the Flop Era Returns to Cinemas

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By Marc Tracy from NYT Movies https://ift.tt/XqWgaeJ

Saoirse Ronan Has Lived, and Acted, Through a Lot

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By Roisin Kiberd from NYT Movies https://ift.tt/RciZDtL

Too Scared to Watch Horror Movies? These 5 Tips May Help.

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By Maya Salam and Nadine Redlich from NYT Movies https://ift.tt/EmebIMW

‘Intercepted’ Review: The Awful Intimacy of the War in Ukraine

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By Manohla Dargis from NYT Movies https://ift.tt/hdeO4WK